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Ironically, the Disney movie that gave us the term “exclusively gay moment” in the first place took a different tack: The live-action Beauty and the Beast’s LeFou is more in the spirit of the studio’s long-standing tradition of strongly queer-coded, if not explicitly gay, villains.
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Meanwhile, while Disney has congratulated itself and claimed to blaze new trails, plenty of other animation studios have been miles ahead of them: Laika’s ParaNorman, for example, featured an openly gay character way back in 2012. Pixar at least seems to have learned a lesson about making too much of these moments: In Onward, an extremely minor character mentions having a girlfriend, but the character is still just that-extremely minor-even if the filmmakers were smart enough not to herald this development by tooting their own horns. For both live-action and animated movies, the studio has overhyped what have become known as “exclusively gay moments,” tiny morsels of representation that are either so subtle you hardly notice them (a kiss between two women in the background of a Star Wars movie) or so plot-irrelevant that they can be easily chopped or overlooked by international censors (here’s looking at you, Endgame’s unnamed Grieving Man). How Much Longer Can the Pittsburgh Penguins Keep Doing This?ĭisney’s track record here doesn’t help matters.
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The first trailers for the movie-about two boys, one more worldly than the other, growing closer while sharing swims and bike rides in the Italian countryside-invited some inevitable jokes about it being a kiddie Call Me by Your Name. When director Enrico Casarosa says he didn’t intend to make Luca a gay romance, I believe him. This article discusses the ending of Pixar’s Luca.